{"id":126,"date":"2023-08-09T04:25:13","date_gmt":"2023-08-08T19:25:13","guid":{"rendered":"http:\/\/ichitakakamiji.com\/?page_id=126"},"modified":"2025-12-15T16:00:37","modified_gmt":"2025-12-15T07:00:37","slug":"cv","status":"publish","type":"page","link":"https:\/\/ichitakakamiji.com\/en\/cv\/","title":{"rendered":"About"},"content":{"rendered":"\n
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\u65e5\u672c\u8a9e<\/a><\/div>\n<\/div>\n\n\n\n
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Ichitaka Kaimiji\u3000\u3000\u3000\u3000\u3000<\/strong>\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/p>\n\n\n\n

1992 Born in Osaka, Japan<\/p>\n\n\n\n

2015 B.A. in ART Education at Kyoto University of Education<\/p>\n\n\n\n

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Solo Exhibition<\/strong>\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/p>\n\n\n\n

2015\u3000“re:male,” Gallery TOMO, Kyoto, Japan<\/a><\/p>\n\n\n\n

2018  “Realism of Sculpture -A Reek of Horniness-,” Minnano Gallery, Tokyo, Japan<\/a><\/p>\n\n\n\n

2019  “Realism of Sculpture -The Place of Holiness-,” A\/D Gallery, Tokyo, Japan<\/a><\/p>\n\n\n\n

2019  “Realism of Sculpture -A Reflection of Self-,” Kiyoshi Art Space, Tokyo, Japan<\/a><\/p>\n\n\n\n

2020  “Realism of Sculpture,” HOLE IN THE WALL, Tokyo, Japan<\/a><\/p>\n\n\n\n

2021  “Ichitaka Kamiji Solo Exhibition,” GINZA TSUTAYA BOOKS, Tokyo, Japan<\/a><\/p>\n\n\n\n

2022  “Border,” Rifare Jiyugaoka, Tokyo, Japan<\/a><\/p>\n\n\n\n

2022  “Border 2.0,” KYOTO OKAZAKI TSUTAYA BOOKS, Kyoto, Japan<\/a><\/p>\n\n\n\n

2023  “Incarnation,” Gallery MUMON, Tokyo, Japan<\/a><\/p>\n\n\n\n

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Group Exhibition<\/strong>\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/p>\n\n\n\n

2015\u3000“TENGAI 2.0,” A\/D Gallery, Tokyo, Japan<\/a><\/p>\n\n\n\n

2015\u3000“KOH-JUTSU CHAPTER \u2165,” Gallery TEN, Kanazawa, Japan<\/a><\/p>\n\n\n\n

2016\u3000“SICF16 Winners Exhibition,” SPIRAL, Tokyo, Japan<\/a><\/p>\n\n\n\n

2016\u3000”Japanese Contemporary Art Show,” Manila, Philippines<\/p>\n\n\n\n

2017\u3000“A-HO show vol.2,” SHIBUYA SEIBU, Tokyo, Japan<\/a><\/p>\n\n\n\n

2017\u3000“Kaen -The Passion-,” Lower Akihabara, Tokyo, Japan<\/a><\/p>\n\n\n\n

2018\u3000“Ah!!rt Show,” SEIBU Shibuya, Tokyo, Japan<\/a><\/p>\n\n\n\n

2018\u3000“Shining Brilliance -An Exhibition of Contemporary Artists-,” Artglorieux GALLERY of TOKYO, Tokyo, Japan<\/a><\/p>\n\n\n\n

2019\u3000“Intermedia Art Project Exhibition” Neptune Gallery, Taipei, Taiwan<\/a><\/p>\n\n\n\n

2020\u3000“Artist’s Bookshelf,” Minnano Gallery, Tokyo, Japan<\/a><\/p>\n\n\n\n

2020\u3000“Night Before the Big Break: The Next Generation of Artists,” Hill Side Forum, Tokyo, Japan<\/a><\/p>\n\n\n\n

2020\u3000“UNTITLED,” Kiyoshi Art Space, Tokyo, Japan<\/a><\/p>\n\n\n\n

2021\u3000“Artglorieux POPUP” Daimaru Tokyo, Tokyo, Japan<\/a><\/p>\n\n\n\n

2022\u3000“PRAISE OF NUDE -ANOUT MALE BODY,” DUB GALLERY, Tokyo, Japan<\/a><\/p>\n\n\n\n

2022\u3000“Threatening Realism,” Matsuzaka-tei, Hiroshima, Japan<\/a><\/p>\n\n\n\n

2024\u3000“Ikai Houmontan,” NUMAZU SHOJI MUSEUM OF ART, Shizuoka, Japan<\/a><\/p>\n\n\n\n

2025\u3000“Inside Realism,” Bunkamura Gallery 8\/, Tokyo, Japan<\/a><\/p>\n\n\n\n

2025\u3000“Ikai Houmontan,” Gallery MUMON, Tokyo, Japan<\/a><\/p>\n\n\n\n

2025\u3000“Special Hallucinogenic Art Show,” KWARG, Tokyo, Japan<\/a><\/p>\n\n\n\n

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Publication<\/strong>\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/p>\n\n\n\n

2023\u3000“INCARNATION” (ART DIVER)<\/a><\/p>\n\n\n\n

2023\u3000“How to paint realistic human skin”\uff08Borndigital\uff09<\/a><\/p>\n\n\n\n

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Award<\/strong>\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000 <\/p>\n\n\n\n

2015\u3000SICF16, Second Prize Winner<\/a><\/p>\n\n\n\n

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Magazine\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/strong><\/p>\n\n\n\n

2016\u3000“Gekkanbijutsu, May 2016”<\/a><\/p>\n\n\n\n

2017\u3000“SENSE, January 2018”<\/a><\/p>\n\n\n\n

2018\u3000“Art Collectors, September 2018”<\/a><\/p>\n\n\n\n

2019\u3000“Art Collectors, Frbruary 2019”<\/a><\/p>\n\n\n\n

2019\u3000“HEY! DELUXE4 SEASON2, SEPTEMBER 2019”<\/a><\/p>\n\n\n\n

2019\u3000“Bijutsu no Mado, Octorber 2019”<\/a><\/p>\n\n\n\n

2019\u3000“Art Collectors’, November 2019”<\/a><\/p>\n\n\n\n

2020\u3000“Art Collectors’, September 2020”<\/a><\/p>\n\n\n\n

2020\u3000“Art Collectors’, November 2020”<\/a><\/p>\n\n\n\n

2021\u3000“Bijutsu no Mado, March 2021”<\/a><\/p>\n\n\n\n

2021\u3000“Bijutsu no Mado, July 2021”<\/a><\/p>\n\n\n\n

2021\u3000“Bijutsu no Mado, August 2021”<\/a><\/p>\n\n\n\n

2021\u3000“craft art DOLL 2021”<\/a><\/p>\n\n\n\n

2021\u3000“Bijutsu no Mado, Octorber 2021”<\/a><\/p>\n\n\n\n

2025\u3000“Art Collectors’, January 2025”<\/a><\/p>\n\n\n\n

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Media Appearances (TV)<\/strong>\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000\u3000<\/p>\n\n\n\n

2018\u3000Ah!!rt (Fuji TV)<\/a><\/p>\n\n\n\n

2020\u3000Night Before the Big Break (BS Fuji)<\/a><\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","_locale":"en_US","_original_post":"http:\/\/ichitakakamiji.com\/?page_id=21","vkexunit_cta_each_option":"","footnotes":""},"class_list":["post-126","page","type-page","status-publish","hentry","en-US"],"_links":{"self":[{"href":"https:\/\/ichitakakamiji.com\/wp-json\/wp\/v2\/pages\/126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ichitakakamiji.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ichitakakamiji.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ichitakakamiji.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ichitakakamiji.com\/wp-json\/wp\/v2\/comments?post=126"}],"version-history":[{"count":74,"href":"https:\/\/ichitakakamiji.com\/wp-json\/wp\/v2\/pages\/126\/revisions"}],"predecessor-version":[{"id":2377,"href":"https:\/\/ichitakakamiji.com\/wp-json\/wp\/v2\/pages\/126\/revisions\/2377"}],"wp:attachment":[{"href":"https:\/\/ichitakakamiji.com\/wp-json\/wp\/v2\/media?parent=126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}